التنظيم والتنسيق ٢-a .. كتاب التصوير علم وفن

х This image and the lines of force: the look of a person looking at a specific place, or a hand extending in a direction, or a car or a train running in a certain direction, and all of these give a sense of direction called the direction of force. This tendency is often so strong that it becomes the basis for formation. There must be a sufficient distance in the image in front of this direction, for the eye must have a distance to look at, and the train must have a distance in which it runs. But if you make the edge of the picture in front of the person's nose, for example, without leaving a distance for the eye to look at, then you feel immediately when seeing a proverb. anxiety and stress. The horizon line: This is one of the most important lines. If you make the horizon line in the upper part of the image, so that the earth represents most of the image, then this indicates closeness and materialism. But if we make the horizon line near the bottom of the image, then this gives a dimension, spirituality and infinity. But if we make the horizon line in the center of the image so that the earth and sky are equal, then this gives a sense of monotony and stability, and sometimes boredom. Here we must say that the horizon line must be horizontal, otherwise the image will become unstable as if it will spill over. In some cases only, it is preferable for the horizon line to be similar, for example, when photographing the earth with an inclined plane. Here, the horizon line must be inclined. But this tendency must be clear and specific, so that it is not thought to be a mistake of the photographer. We have already mentioned that the closeness of things to the horizon line helps in feeling depth in the image and distance. from even from whom

- The convergence of the three rule: It was found that the best place to place the most important elements of the subject is what is called the confluence of the thirds. This means that if we divide the image vertically into three sections and also horizontally into three sections, the junction of the dividing lines will be the best place for comfort for the eye. As for placing the main subject in the center of the image, it gives a sense of static. It does not suggest stability and often boredom, and is only suitable when photographing huge buildings that suggest stability and survival, such as a huge mosque or church, etc. But if we put the main element next to the edge, this gives a sense of instability and tension.

Blocks and areas: These may be blocks of shades of gray or areas of color. These blocks often represent the elements of the subject to be photographed. It is coordinated on the aforementioned configuration lines. Four should be mentioned here

Points of paramount importance in the art of composition:

The convergence rule of thirds
B - The rule of dynamic equilibrium or movable equilibrium: If we put a pound of cotton on one side of a balance and on the other side an iron weight weighing a pound, then the two scales are equal and the scale is balanced. Likewise in the picture, if we put a large mass of light color on one side and on the other hand a small block of dark color, the picture gives a sense of balance, and it is called dynamic, because it is a medium between complete stillness and movement. A moment because the two masses are of different sizes and degrees of color or darkness. This is poise

1 Iran is dynamic

unbalanced

3 Iran is static

. But if we put two completely identical blocks on either side of the image, then the image will be completely static, and stillness usually means boredom, because it does not contain the internal tension that characterizes dynamic balance, which increases the internal tension of the image, giving it vitality and movement. in brightness or color. For example, a light gray object, we place it in front of a standing background, so it becomes more prominent and clear. Likewise, a yellow object, for example, we place it in front of a blue background, and so on.
D - Scale of the image: The most common reason why the pictures of landscapes that were huge in front of the eye appear weak and small in the image - is that the viewer does not see in the image anything to measure the dimensions of the mountain, or the beach, or the extended desert, but if the photographer included in his composition something of size Familiar, this gives the viewer a measure by which to measure the dimensions of the scene. The most influential measure is the human body. If we make a small human image in the composition, then this makes the view huge in size. If we make the human image large, then this suggests a small view.

Colors: The meaning and inspiration of colors varies from person to person, depending on the traditions. And personal experiences, for example, we consider blackness to be the dress of sadness in our part of the world, while the Chinese consider white to be the dress and symbol of mourning. A person may go through a painful personal experience that may be related to a certain color, and whenever he sees this color, he triggers memories of that experience. -

Therefore, there are specific meanings, indications, and symbols that the different colors symbolize, and most people share in their understanding. The red color, which is the most positive, most ferocious and offensive color, attracts the eye more than and with any other color. And you can realize this when you find children racing to get the red balloons first before any other color. The color red symbolizes danger, fire, battles, revolution and sex. The red color increases nerve tension. In an experiment conducted in one of the research laboratories, a number of toilets were painted in red, blue and green colors. And record the time people spend in those courses. It was found that the toilet, which was painted red, recorded the least time in the duration of a person's stay inside it. By asking some of the hesitators, it became clear that some of them were unable to urinate inside the red toilet.
As for the orange color, although it attracts the eye almost like red, it does not have the same strength, and it is generally a warm, joyful color. As for the yellow color, although it is the most bright and cheerful color, it is the least popular, but every few years you find it becoming fashionable according to the orders of the fashion kings in Paris. Perhaps the reason for the lack of popularity of the yellow color is two things: the first is that it evokes in the soul other words such as bile disease or jaundice, and the second: that the yellow color is easy to take tinges from other colors, for example the greenish yellow color causes a feeling of sickness and mustiness. Yeh, but there is the golden yellow that evokes a sense of luxury and splendor, and the green color brings us to the cold part of the color spectrum, perhaps because it gives us the coolness under the shade of trees. It is a calm, relaxing and rejuvenating color, and that is why it is frequently used in hospitals and toilets. And the blue color, especially greenish blue, is the most intense color because it suggests to us the colors of the sea or snow, and it is also a calm color and Martian to the nerves. It is noted that residents of warm regions choose blue as their best color, while warm colors lag behind in their choices. The violet color differs in its meaning according to the amount of blue and red in it. If the blue color increases, it tends to be cold, and if the red color increases, it becomes scarlet, or what is called “deer blood” tends to warmth. And the color violet sends a sense of insecurity and the imminence of death. And some psychiatrists say: Some of those who prefer the color violet have a secret desire for death. As for the scarlet color, which is dominated by red, it gives the soul a sense of luxury and magnificence, perhaps because many kings chose this color, so that it is called in some languages ​​royal red for its coolness.