أرجوزة النسابة الوضاحة لأصول الكتابة .. كتاب مصوّر الخط العربي .. ناجي زين الدين

**Ali Abbass** · 11-25-2023, 07:37 PM

Arjouza of Genealogy and Clarity for the Principles of Writing.. An Illustrated Book of Arabic Calligraphy.. Naji Zein al-Din

Arjoza, clear genealogy for the principles of writing
Written by Abdul Qadir Al-Saidawi and its manuscript written by Muhammad Al-Azhari, a student of Salman Al-Shakri.
Written by him in 1157 AH

Praise be to God who opened the pen
It made him prouder to take the oath
God Almighty said, “In it is the Nun and the Pen.”
He taught man what he did not know
Then eternal prayers and peace
On the chosen Prophet Muhammad
And his family and companions are glories
Pens are not ink
After learning calligraphy, they neglected it
Some eminent person asked me
A hope that reveals what is hidden
So I said, I am not worthy to fulfill it
So, write me down and I answered them
They did not ask for help from the Lord Most High
I called it Clarity of Origins
In the line, it does not differ from the movable
By God, I hope it will be of benefit to those who look
And if he sees a flaw, he will cover it

Then he talked about the pen, the method of choosing it, its description, the description of the pen, “the pen’s length,” the length of the pen, the line, its roots and branches, and the grip of the pen, as if he wanted to summarize in prose the lengthy account of everything that was said in that regard in his composition, so he said in the grip of the pen:

The original is to put the sharpened pen on
The middle finger is what the mullah said
And put your finger on the rosary
To the right of the back, above the opening
And put your fingertip
To the left of the back with interest
Every finger has its own characteristics
Her strong sister is incapable of her
Do not place it above the middle back
That is a weakness of yours that cannot be covered
And the shepherd took you over the wilderness
Displaying three village barley
Or make the middle stick to it
That is what is meant by the disappearance of the rub

Then he moved on to the method of sitting while writing and the geometric conventions in the positions of letters, and that they are seven types: flat, curved, upright, prostrate, reclining, round, and curved.

Then he moved on to advice for the writer who wants to be good at writing. Then he talked about the letters of the thuluth, muhaqqiq, rayhan, and signature, and said:

In the letter alif

The singular alif is an erect line
And straight, standing and accompanying
He writes with a designated pen
End it with the right letter
If you want a fragrance or a muqaqiq
Do not get bored at the end of it, but let it go
If you write a third or a signature
The end is moist and gets bored quickly
And the cat appeared in the head of the thousand
In all other pens, shoot, do not stop
And the fragment of Alif Al-Thalth and Al-Muhaqqaq
And a thousand basil and onions
And in the major signatures, there is a fragment
With the right tooth you will see Murtada
And a thousand patches and dust
You are the fragment with the choice
Al-Naskh, Al-Wadhah, and Al-Manthur
Likewise, the footnotes are not falsely fragmented
Share it and leave it
Dāl, Wātā, Lām, Nūn, Fādārha
And the alif connected to the one before it
So bring him up with someone who has no inclination
In the pen of Al-Rayhan and Al-Muhaqqiq
Show the cat in it and select
In the copy pen there are three thousand letters
The appearance of a cat and the uprightness of an alif
And its inclination is to the right with a definition
The last one improves upon Sadid
And he wrote a third, and his hope was easy
High with the appearance of the cat
Likewise, signatures with patches
But they increase by following
That they lean to the right is specific
As one of the aspects of copying, he followed
And write the alif in different categories
Three, one of them suffices
Its length is close to ten points
Select basil and continue it only
The second one is approximately one-seventh in length
Specializes in the third test to infect
The third is five in succession
Specialized in signing and patches

The letter Ba
The ba is made up of two lines: Rakab and Baa
You find them erect and flat
Professor Al-Hammam Al-Alam says
You write it all with a pen
The last one is specific and knowledgeable
Opposite her head is known
Or you want to free her head or tie it
So that the cat appears in it
These are three forms
Interference in pens is inevitable
It is suitable to extend it to extend the basmalah
In abrogation and basil, then the original
If it is deleted, the first one is added
The cat does not appear at the end of it
If the B is like this pattern
For moisturizing pens only

The letter J and its sisters

Knee from two lines and start flat
As much as two-thirds of a thousand, and do not insist
It is round and semi-circular
One of them meets its head and its end
If you increase it a little
Allow it if it's not a lot
If the gym is single, it is divided into:
Three fragments of it except no
That includes all the pens together
Copy, its type except that is equal
The second type is like a fair trigger
Likewise, the second one is a shaved man
The first one of them is a booklet
And a second head, head, ba, we write, tra
Both types are inserted into each pen
Moisturizing, and if you smoke disagreement, you will be accused

The letters dal and dhaal

A knee made of two curved lines
Like that, lying down and in the open area
Because the second copy is arranged flat
And the cat in it is clearly visible
And if you plan an alpha from below
Where was Kafa headed?
Its length is as much as a thousand known
The curve is thus divided
And if you reach him with a blame beforehand
Then bring two-thirds of it up so that you will not catch up with it
Then it tilts a third from the top
And return with an additional two-thirds of it
And send it to align with the tide of humiliation
It applies to one third without negligence
If it comes back verified, it will be counted
More than two-thirds of it means it
He filled a few right-handed patches
And he sent him like a claw, turning his head

The letter Ra and Zay

A curved compound and it is on
There are three types of floors first
The other's turn is a quarter of a circle
Rose or rutaba yahna saira
And show the cat in his view
It concerns such-and-such a third, so take care of it
There is no difference between patches and copies
A head and no arrangement in them
The third type is Masalakia
The sad comes out of it and the next one comes out
Share it in the baddah yaa, singular
The sīn and nūn began to be suspended
Ras Kaf, then Ras Yaa
They are also like the head of the Ra

The letter sīn and shīn

A knee with three curvatures
Three, if you increase it, it will come true
The second is reclining with the most appropriate length
After arranging to extend ease to him
And his head is a booklet on similarity
It specializes in one-third and the rest of the rutaba

The letters Saad and Daad

And of the four lines they installed
Lying down and then erect
Then it is flat and after it
It is curved, so understand, and this is its composition
Firas Saad Ras Ra Muallaq
The second and third are climbed
The fourth is a noun with an arcuate noun
And absolute, if you like, that is a bag

The letter taa

His knot is like the erected Zayd
In his head and delete the curvature that pours

**Ali Abbass** · 11-25-2023, 07:39 PM

The eye and the eye

The eye is prostrate and then erect
And it is round after it if it is written
Her shoulder should never be on the right shoulder
Attached with goodness
The rest of the shoulder, then the erect one
In his chest, it turns like a gym pouring
If you write it, type it in four
An individual's friendship, even if it extends together
Or a recited letter as a Malawiyya
The second type is the shoe
It is followed by an alif or a ha
Or dal or lam raa ba
The third is kind of confusing
After it towards the curved shape
The difference between the two eyes mentioned above
It appears from its famous circles
In the middle of Al-Sadiyah United
Ras ba comes from it
And the second middle of the sandal
Noon chair sitting together
And the middle parts of the confusion
Famous curved chair
The fourth type is two-horned
It is preceded by a letter and opens the eye
In thuluth, basil and muhaqqiq
And in the signatures and in the provisions
Even if you erase the rest of the pens
He was good and noble in their opinion
It was mentioned in the compound fatwa
Three aspects are arranged
Its blackness is equal to cowardice
Show the cat with its two horns
The second is darker than the left
With his weakness in the right source
The third one is originally black
From the right side, follow the origin

The letter Fa

The fa is a compound of three letters
Zed's shoulder is upright and flat
If your burden is removed, it will be a disaster
Or if you increase it, it will be rewarded
If the fa’ and the qāf are separate
At the beginning of the letters, fade and mean
With that patch and copy and in
The rest of the pens are the opposite. It is enough
Even if they are mediated by a second letter
They do not blur in other pens
Or it was the last thousand letters
Latams is also the opposite of Qaf Tawfi
It is not permissible to obscure the investigation
And its branches, the third and the muanq
Likewise, the triple signatures do not
It blurs, as the Mullah has stated

The letter Qaf

He rode it in two lines, bent over like this
With a bracket, nothing else has been stated as such
Strengthen it like the Nun and the Saad. Spread
Because the pot is half a circle

The letter kaf

A knee of four will become clear
First the supine one, then the flat one
Its tail is erect and flat
The first two letters are correct
The remainder of this form is completed
It does not come alone, and this is the narration
And the last words will not come
And enter it with all the other pens
He added more basil and muhaqqiq
The same applies to copying and reversing what remains
Another is erect and flat
You find it from A and B clearly
Its place is at the end of the speech
Add or add to the time
These two figures are inserted into each pen
Among all other writings, this saying is general
And it is followed by an alif or a lam
Expressing a meaning that reaches the goal
And go up with it close to the head
As white as a pear
And it is followed by a lam and an alif
Its length is greater than that of the thousand before it
Like half the lam of Alfa Malawiyya
To the left and understand how

The letter L

Erect and then arched
Its origin is alif, yaa, and majlis
Their length is the same in Rutba
And the dry pens are erect
If it is wet, it is the second letter
Bring back two-thirds of it and separate it
Or it was dry and copied, so choose
It returns without blackness or scattering
And make it simpler than before
It is dry and the opening has increased a lot

The letter M

Mim pens see the council
It comes out with a wow and then a bowed ra
It includes all other pens
His failure to always copy
The second type is a fragmentary head
His hardship is the hardship of a woman lying down
Including his shaved head
It is characterized by wetness in the one that precedes it
And then type the header C and A
They interceded with a capital letter B. It was known
It goes into the pens and then you read it
A meem with a blur and an alif after it
It enters into the signature and dust
Like copies and running patches

The letter Nun

A rounded bow, or the end of it is released
If it is a semicircle
Insert them into all the other pens
Al-Qafān resembled them in feeding
A third hung and arranged it
It is included in his moisturizing pens

The letter Ha

Its sections are eleven
Firstly, Dal Aloha is the one who facilitates it
Place it on the shoulder, then flat
It enters the pens and is clear
And the role of Lam Alif Malawiyya
Specializes in patches and naskhiya
It looks like a donkey's testicle
Its height resembles a horse's ear
The fifth is the head of the Jim base
The sixth is a unified head
The seventh one resembles the head of the ha
The eighth is the suspension of the Ra’s head
The ninth one resembles the head of an eye
The tenth of it is full of zadin
On the eleventh day, she rides a dala
Like the first, follow its path in an article
From four of them to nine ranks
And put your pens in order
And the third and tenth and its seal
Insert it into the pens to spread them

The letter waw

Knee from two lines, first pronation
The second arch is a quarter of a circle
Write it in different types, and specify that there are no and no
With a third and amplified signatures
And with special signatures
The second of the watts is as follows
A third concerns patches
The fourth is to copy by following
The fifth concerns the investigator
And its branch is basil, then what remains

The letter Laam Alif

A knee of three will become clear
First the shoulder, then the flat
Like this, you will receive a message
Interfering in the pens evenly
There is a circle in the nakh and basil
Do not mix it in a humidifier
The second is lam and a thousand shoulders
Of all the pens, Al-Rutba is the only one

The letter Ya

The first one is derived and derived
From raas raa then nun alaqa
This is the same as the head of the caf, if you split it
A seat with a sufficient head of water
And the head and shoulder if you repeat it
Maqlub dal kamil sirata
Even if you start it curved
I saw a second sitting room
Curving it like the nūn and the qāfāt
Likewise, the lam has no duration
And to increase it at the beginning of the curving
Alpha sees a lama on the founding
A second word, yā, is returned
From left to right, its return
There are two types, the first of which is moisturizing
The other is limited, wet and Arabized
The second type is the opposite of the first
Do not confuse it and understand what is reasonable
The four types mentioned
Enter our famous pens

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أرجوزة النسابة الوضاحة لأصول الكتابة .. كتاب مصوّر الخط العربي .. ناجي زين الدين

أرجوزة النسابة الوضاحة لأصول الكتابة .. كتاب مصوّر الخط العربي .. ناجي زين الدين

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