التنظيم والتنسيق ٣-a .. كتاب التصوير علم وفن

Bhij As for the white color, which. In fact, it is all colors, for it is a clean color. The bride wears white, and the common expression is a white sunnah, and your day is white like a night, etc.

Black, which is the absence of all colors, it suggests gloom and death or

seriousness

And gray, which reflects and absorbs all colors at the same time, so its significance differs according to its proximity to white or black, and it is generally a calm color and increases the brightness of neighboring colors. And gray is one of the acquired tastes, so it is not preferred by children or those with little culture

Brown is close to the color of the earth, as it is a modest color that does not attract attention at first sight. It is a warm color and leaves room for the emergence of other colors.

Now, in order to understand the composition and coordination of the image using colors, we must study what is called the color circle designed by the artist Munsell. This artist took the colors of the spectrum and folded them so that they became a circle and the red became close to violet. When they met, a new color appeared that was not present in the colors of the spectrum, which is a mixture of red. And violet is called purple scarlet.

A complementary colours. In consistent colors or with them C - Rainy colors (warm or foreground) D - Rainy colors (cold or late)

(1) Complementary colors: every two opposite colors in Mansell's circle can be formed from white if we mix a ray of the first color with a ray of the second color, and therefore these two colors give the strongest contrast and contrast. For example, red and green colors, using them together gives the strongest contrast in the image. But notice when using complementary colors that the amount of each color is not equal to the other color, otherwise duplication occurs in the image, which destroys the desired effect. Rather, make one of the two colors significantly more than the second.

(2) Harmonious or harmonious colors: every three colors in Mansell’s circle connected by an equilateral triangle give a harmonious effect in the image, for example red, yellow, blue or green, orange and violet.

(3) Related colors: Neighboring colors in the circle give unity to images, for example, red, orange, and yellow, and these are called warm and advanced colors as well, while green, blue, and violet are unity, and these are called cold or late colors.

(4) Make warm colors in the foreground of the image and cool colors in the back of the image, because this is what the eye sees in nature. The blue sky, sea, or trees are always in the background. But if we make the opposite and make the background warm colors and the foreground colors cold, then the subject appears sunken in the background and does not give an illusion of depth. required spatial.

Color photography (5) Black, white and gray are of great value in color photography, as the presence of black and white in the image increases the amount of apparent contrast. The black color and to a lesser extent the gray color makes the colors adjacent to them look more shiny and lustrous. As for the white color, it makes the neighboring colors look stronger, more fertile, and more colorful. (6) Colors similar to the colors of pastel pens, in which the color appears mixed with white, attract attention more than the crude colors. And it is favored by the experienced in If we make the main element of the subject in a bright color and the rest of the subject in pastel colors, attention is drawn strongly to the main element.

(7) Use a small number of colors in the image because this gives it strength. As for using all colors in small quantities of each color, this makes the image from afar appear gray and discolored.

(8) The use of one color in its different degrees throughout the image gives it a strange and unusual effect that attracts attention. For example, sunset scenes, where everything appears to be colored red, or dusk scenes, where the whole image takes on a blue-violet tinge.
(9) Colors are used to give the picture a special psychological atmosphere. The red color in most of the picture gives it warmth and vitality, and the blue color gives it coldness.

(10) Make the color key in the image consistent, that is, make the colors saturated, bright, or all unsaturated (one color can be excluded only to attract attention to it). (11) Use the strongest color in the image for the center of interest. (12) You may use strange, unnatural colors while printing color images as well

Using infrared films, but do not overdo it so as not to lose

desired effect.

Now that we have mentioned the most important rules of the art of composition, one rule remains: These rules are made to be broken when necessary. If you find it in the interest of all artistic influence to break the rules, do not hesitate!!

- One last chance to fix the composition after shooting the photo: the photographer must think, explore, analyze and organize the photo before pressing the trigger, but there is a last chance to partially fix the photo during printing:

A - Cropping the image: it is possible to change the dimensions of the image and cancel the non-important parts or that mitigate the effect of the image during printing. It is also possible to fix the image composition to some extent.

B - Fixing perspective: Perspective can be fixed during printing by tilting the lens and base of the magnifier while enlarging. C: Changing colors: To some extent, the dominant color in the image can be changed

during zoom. D - The contrast ratio in the image can be increased or decreased during enlargement, especially for non-colored images.
E - The image can be made light or standing by changing the exposure time during enlargement, as well as by changing the developing time and temperature during developing.