انسجام الألوان .. كتاب التصوير الملون ، الكاتب عبد الفتاح رياض

. Individuals in general, even though it appears at first that the sense of color harmony is nothing more than a matter subject to individual tastes, yet it is difficult to build acceptable general rulings except on a general consensus in which a large number of individuals agree. The group is of people with high culture and deep feelings. As for the second opinion, which is more recent, it believes that the sense of harmony of colors is a social phenomenon, and it is not correct to rule on it by a selected group of individuals.

In the process of studying, but we prefer the first opinion if we. An academic head looking at art. Even if the aesthetic values ​​that individuals feel, no matter how different their walks and cultures are

Color Harmony

Or accuse the social, depends on subjective factors due to the individual. And the previous aesthetic experiences that he went through, except that there is no doubt about it, that the aesthetic sense also depends on objective aspects related to the characteristics / visuals. These objective aspects are the subject of our research, which can be summed up in the following question: What are the qualities or characteristics that, if a group of colors were distinguished (neighboring, close, or distant), we would find that the vast majority of its viewers described them as harmonious colors?

In response to the previous question, we will discuss the harmony between colors according to

For the following division): (a) Harmony between interconnected colors whose origins are Hues mixed with each other, so the origins are linked to mixed colors, and this case is known as Analogous Harmony, as an example of this, an image that bears red and yellow colors, and a mixture of the two colors links them together (orange)

(1) Focal Encyclopedia of Photography, P. 222 F. A. Taylor, Color Technology, 1962 edition, P. 104 (x)
In the Circle of Color Origins (previously described on p. 103, Figure 28 regarding the explanation of Munsell’s method of describing colors), there are many examples of interconnected colors, i.e. adjacent colors in this circle. We advise the reader to review this topic (pg. 102 of this book) and learn about it thoroughly before continuing In our current topic, it is the basis on which we will rely in researching the subject of color harmony.

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(b) Complementary harmony of colors, as if the image combines a blue-green color with a complementary red one. The contrasting colors shown in Figure 28 on page 103 of the circle of color origins according to the Mensel method are considered complementary colors.

(h) Harmony of colors descended from one parent. This is the case known as Monochromatic Hormony, as if the origin of the hue color is red, for example, and it is combined with it in the picture in degrees of it that differ in both the value and the degree of chroma, such as some of them being less saturated, diluted with white (tinted), shaded, or neutralized in color. Gray. Desaturated

(d) Harmony between the colors of a neutral origin, Achromatic Harmony, when the colors prevailing in the image are of the neutral family and do not differ except in their value, so their colors are no more than white, light gray, dark and black.

This last case applies to “black and white” photographs, and its rules are similar to the case shown in item. Explain here the rules of color harmony in the two cases a, b. So we stop