تويت
شفيق عبود ..1926- 2004
الفنان اللبناني المتميز شفيق عبود مواليد لبنان 1926 .. تخرج من الأكاديمية اللبنانية للفنون الجميلة عام 1974 بعد أن درس فنون الخزف والتصوير والطاعة الحجرية ثم انتقل للعيش في باريس .. تأثر بالفانينن تابيس بيير وروجر بسير ونيكولاس دي ستايل .. ظل مرتبطا بجذوره الشرقية التي تظهر من خلال إتجاهه الفني الذي تميز بالحرية واللون والضوء والفرح .. و حتى بعد أن اتجه إلى التعبرية التجريدية في أعماله ظلت روحه العربية حاضره ولكن بتصرف..
Shafic Abboud ..1926- 2004
(Lebanese, 1926–2004) ", Shafic Abboud is one of the foremost Arab artists of the 20th century. His paintings are a manifesto for freedom, colour, light and joy, as well as being a permanent bridge between the art scenes of France and Lebanon and that of Europe and the Middle East. Both Lebanese and Parisian, he was very attached to Lebanon, to its landscapes, its light and his own childhood memories. He was from a Lebanese Arab Modern culture. The stories of his grandmother, who was the village’s story-teller, left an indelible mark on him, at a very early age. He was familiar with the paintings of the travelling story-tellers. The artist’s eye was also strongly influenced by Byzantine icons and traditions from his church. The writings, debates, ideals, hopes and battles characterising the Arab Nahda, a modernist and anti-clerical Renaissance which was initially driven by Arab and Lebanese writers, were to later have a significant impact on Abboud’s intellectual education.
الفنان اللبناني المتميز شفيق عبود مواليد لبنان 1926 .. تخرج من الأكاديمية اللبنانية للفنون الجميلة عام 1974 بعد أن درس فنون الخزف والتصوير والطاعة الحجرية ثم انتقل للعيش في باريس .. تأثر بالفانينن تابيس بيير وروجر بسير ونيكولاس دي ستايل .. ظل مرتبطا بجذوره الشرقية التي تظهر من خلال إتجاهه الفني الذي تميز بالحرية واللون والضوء والفرح .. و حتى بعد أن اتجه إلى التعبرية التجريدية في أعماله ظلت روحه العربية حاضره ولكن بتصرف..
Shafic Abboud ..1926- 2004
(Lebanese, 1926–2004) ", Shafic Abboud is one of the foremost Arab artists of the 20th century. His paintings are a manifesto for freedom, colour, light and joy, as well as being a permanent bridge between the art scenes of France and Lebanon and that of Europe and the Middle East. Both Lebanese and Parisian, he was very attached to Lebanon, to its landscapes, its light and his own childhood memories. He was from a Lebanese Arab Modern culture. The stories of his grandmother, who was the village’s story-teller, left an indelible mark on him, at a very early age. He was familiar with the paintings of the travelling story-tellers. The artist’s eye was also strongly influenced by Byzantine icons and traditions from his church. The writings, debates, ideals, hopes and battles characterising the Arab Nahda, a modernist and anti-clerical Renaissance which was initially driven by Arab and Lebanese writers, were to later have a significant impact on Abboud’s intellectual education.