تويت
كيفية التقاط وتطوير الصور الملونة - مايكل فريمان
HOW TO TAKE & DEVELOP COLOUR PHOTOGRAPHS MICHAEL FREEMAN
HOW TO TAKE AND DEVELOP COLOUR PHOTO- GRAPHS provides not only a complete analysis of the technical background and aesthetic principles behind taking first - class colour photographs , but also a full description of processing and printing one's own work , and the great satisfaction to be gained from controlling the whole procedure from beginning to end . Sections on essential equipment and optional extras , choosing the film and ana- lyzing the light source prepare the reader for a thoughtful and clear discussion of the potential of colour photography : making colour the subject , strong colour , colour associations , complementary and broken colour - all aspects of seeing , and recording on film , in such a way as to create the effect wanted - are covered . Processing of colour negatives and of colour slides is fully described , with the aid of clear , step - by - step diagrams . Print making again , from both slides and negatives - is treated in the same concise manner . All problem- solving techniques and photographic effects are illustrated with the author's own work . Michael Freeman is a professional photographer with many years ' experience and has worked all over the world on a huge variety of assignments : who better to set the amateur on the right path ?
Michael Freeman is a professional photographer with an established international reputation ; his work has featured most particularly on magazine , book and record covers . He also concentrates on special effects studio work and wildlife photo- graphy . His photographs have appeared in Time- Life Books , GEO , Vogue , The Smithsonian Magazine , Nature , and scores of other publications . He spends six months of every year on foreign assignments , and is the author of several books on photographic techniques , aesthetics , and history .
HOW TO TAKE & DEVELOP COLOUR PHOTOGRAPHS
An exploration of the potential of colour film , and of the greater control afforded by processing your own work .
Step - by - step instructions on negative , slide and print production .
Up - to - the minute equipment review : cameras , lenses , films , lighting , darkroom essentials , enlargers , accessories .
Strong colour , broken colour , comple- mentary colours , colour accent : a clear interpretation of colour as the subject of a photograph in itself , not merely as an arbi- trary aspect of a scene or object .
Superb illustrations of all techniques and principles .
CONTENT
INTRODUCTION 6
ESSENTIAL EQUIPMENT
Cameras & Lenses 8
Accessories & Supports 14
Processing Equipment 16
Enlarging & Printing Equipment 18
Optional Extras 20
CHOOSING THE FILM
Slide or Print? 22
Transparency or Negative? 24
Daylight or Tungsten? 26
Slow or Fast? 28
Which Brand? 30
Colour Accuracy 32
Careful Film Use 34
THE LIGHT SOURCE
Colour Temperature 36 Clouds, Mist & Haze 40
Bad Weather 42
Bright Surroundings 44
Dusk & Dawn 46
On-Camera Flash 48
On-Camera Bounce Flash 50
On-Camera Fill-in Flash 52
Off-Camera Flash 54
Lighting Equipment 56
Using Light 58
Tungsten Lighting 60
Existing Tungsten Light 62
Fluorescent Light 64
Vapour Lamps 66
Flames & Fireworks 68
Filters for Colour 70
Choosing the Exposure 74
Light in Close-up 78
WORKING WITH COLOUR
Making colour the subject 80
Strong colour 82
Broken colour 86
Subdued colour 89
Combining colours 90
Complementary colours 92
Colour accent 95
Unusual colours 96
Colour associations 98
PROCESSING
Colour negatives 100
Colour slides 104
Assessing the results 106
PRINTING
Making the print exposure 108
Colour negative prints 110
Colour slide prints 112
Cibachrome printing 114
Controlling tones & colours 116
Assessing the results 118
CARING FOR PHOTOGRAPHS
Slide copying 120
Copying prints 122
INDEX 124
Acknowledgements 127
HOW TO TAKE & DEVELOP COLOUR PHOTOGRAPHS MICHAEL FREEMAN
HOW TO TAKE AND DEVELOP COLOUR PHOTO- GRAPHS provides not only a complete analysis of the technical background and aesthetic principles behind taking first - class colour photographs , but also a full description of processing and printing one's own work , and the great satisfaction to be gained from controlling the whole procedure from beginning to end . Sections on essential equipment and optional extras , choosing the film and ana- lyzing the light source prepare the reader for a thoughtful and clear discussion of the potential of colour photography : making colour the subject , strong colour , colour associations , complementary and broken colour - all aspects of seeing , and recording on film , in such a way as to create the effect wanted - are covered . Processing of colour negatives and of colour slides is fully described , with the aid of clear , step - by - step diagrams . Print making again , from both slides and negatives - is treated in the same concise manner . All problem- solving techniques and photographic effects are illustrated with the author's own work . Michael Freeman is a professional photographer with many years ' experience and has worked all over the world on a huge variety of assignments : who better to set the amateur on the right path ?
Michael Freeman is a professional photographer with an established international reputation ; his work has featured most particularly on magazine , book and record covers . He also concentrates on special effects studio work and wildlife photo- graphy . His photographs have appeared in Time- Life Books , GEO , Vogue , The Smithsonian Magazine , Nature , and scores of other publications . He spends six months of every year on foreign assignments , and is the author of several books on photographic techniques , aesthetics , and history .
HOW TO TAKE & DEVELOP COLOUR PHOTOGRAPHS
An exploration of the potential of colour film , and of the greater control afforded by processing your own work .
Step - by - step instructions on negative , slide and print production .
Up - to - the minute equipment review : cameras , lenses , films , lighting , darkroom essentials , enlargers , accessories .
Strong colour , broken colour , comple- mentary colours , colour accent : a clear interpretation of colour as the subject of a photograph in itself , not merely as an arbi- trary aspect of a scene or object .
Superb illustrations of all techniques and principles .
CONTENT
INTRODUCTION 6
ESSENTIAL EQUIPMENT
Cameras & Lenses 8
Accessories & Supports 14
Processing Equipment 16
Enlarging & Printing Equipment 18
Optional Extras 20
CHOOSING THE FILM
Slide or Print? 22
Transparency or Negative? 24
Daylight or Tungsten? 26
Slow or Fast? 28
Which Brand? 30
Colour Accuracy 32
Careful Film Use 34
THE LIGHT SOURCE
Colour Temperature 36 Clouds, Mist & Haze 40
Bad Weather 42
Bright Surroundings 44
Dusk & Dawn 46
On-Camera Flash 48
On-Camera Bounce Flash 50
On-Camera Fill-in Flash 52
Off-Camera Flash 54
Lighting Equipment 56
Using Light 58
Tungsten Lighting 60
Existing Tungsten Light 62
Fluorescent Light 64
Vapour Lamps 66
Flames & Fireworks 68
Filters for Colour 70
Choosing the Exposure 74
Light in Close-up 78
WORKING WITH COLOUR
Making colour the subject 80
Strong colour 82
Broken colour 86
Subdued colour 89
Combining colours 90
Complementary colours 92
Colour accent 95
Unusual colours 96
Colour associations 98
PROCESSING
Colour negatives 100
Colour slides 104
Assessing the results 106
PRINTING
Making the print exposure 108
Colour negative prints 110
Colour slide prints 112
Cibachrome printing 114
Controlling tones & colours 116
Assessing the results 118
CARING FOR PHOTOGRAPHS
Slide copying 120
Copying prints 122
INDEX 124
Acknowledgements 127
تعليق