تويت
كيفية التقاط وتطوير الصور بالأبيض والأسود - مايكل فريمان
HOW TO TAKE & DEVELOP BLACK & WHITE PHOTOGRAPHS MICHAEL FREEMAN
An introduction not only to the nature of the monochrome image , but to the poten- tial for transforming the image when pro- cessing your own work .
The techniques of burning in , dodging and toning your print explained and visu- alized by superb examples and step - by- step illustrations .
Up - to - the - minute equipment analysis , reviewing cameras , lenses , films , en- largers and accessories .
Line , shape , form and texture , the graphic qualities of black - and - white pic- tures explored and explained .
How to plan , work on , mount and store your prints .
Faults and emergencies : how to avoid them , how to overcome them .
HOW TO TAKE & DEVELOP BLACK & WHITE PHOTOGRAPHS
Black - and - white film is by its very nature the med- ium of personal expression in photography . Colour may dominate the market because of its realism , but the results in black - and - white are subject to greater control . Its limitation is its strength : both the photographer and the viewer are obliged , because of the monochrome graduation from black through endlessly subtle refinements of gray to pure white , to see the subject more graphically- as made up of lines , shapes and tonal differences . And the potential of black and white photography , ' the craftsman's film ' is immeasurably enhanced if the photographer is prepared to process his or her own work . The basic simplicity of the creation of prints , together with the tolerances of exposure and processing ( wide enough to allow room for error ) , also allow for experiment with , and manipulation of , the image .
This book not only explores the nature of black and white photography how different colours are recorded , the use of filters , the theory of light as it affects the monochrome image but also guides - the reader through the processing procedure and introduces him or her to the techniques of burning in , dodging and toning which can transform an image . In describing basic equipment ( including the latest autofocus cameras ) , more advanced ( but af- fordable ) studio lighting , setting up a darkroom at home and mounting and storing prints , Michael Freeman who is a professional photographer of international standing presents each stage of the creation of fine images , and illustrates all tech- niques with his own superb photographs .
Michael Freeman
Michael Freeman is a professional photographer with an established international reputation ; his work has featured most particularly on magazine , book and record covers . He also specializes in special effects studio work and wildlife photo- graphy . His photographs have appeared in Time- Life Books , GEO , Vogue , The Smithsonian Magazine , Nature , and scores of other publications . He spends six months of every year on foreign assignments , and is the author of several books on photographic techniques , aesthetics , and history .
HOW TO TAKE & DEVELOP BLACK & WHITE PHOTOGRAPHS MICHAEL FREEMAN
An introduction not only to the nature of the monochrome image , but to the poten- tial for transforming the image when pro- cessing your own work .
The techniques of burning in , dodging and toning your print explained and visu- alized by superb examples and step - by- step illustrations .
Up - to - the - minute equipment analysis , reviewing cameras , lenses , films , en- largers and accessories .
Line , shape , form and texture , the graphic qualities of black - and - white pic- tures explored and explained .
How to plan , work on , mount and store your prints .
Faults and emergencies : how to avoid them , how to overcome them .
HOW TO TAKE & DEVELOP BLACK & WHITE PHOTOGRAPHS
Black - and - white film is by its very nature the med- ium of personal expression in photography . Colour may dominate the market because of its realism , but the results in black - and - white are subject to greater control . Its limitation is its strength : both the photographer and the viewer are obliged , because of the monochrome graduation from black through endlessly subtle refinements of gray to pure white , to see the subject more graphically- as made up of lines , shapes and tonal differences . And the potential of black and white photography , ' the craftsman's film ' is immeasurably enhanced if the photographer is prepared to process his or her own work . The basic simplicity of the creation of prints , together with the tolerances of exposure and processing ( wide enough to allow room for error ) , also allow for experiment with , and manipulation of , the image .
This book not only explores the nature of black and white photography how different colours are recorded , the use of filters , the theory of light as it affects the monochrome image but also guides - the reader through the processing procedure and introduces him or her to the techniques of burning in , dodging and toning which can transform an image . In describing basic equipment ( including the latest autofocus cameras ) , more advanced ( but af- fordable ) studio lighting , setting up a darkroom at home and mounting and storing prints , Michael Freeman who is a professional photographer of international standing presents each stage of the creation of fine images , and illustrates all tech- niques with his own superb photographs .
Michael Freeman
Michael Freeman is a professional photographer with an established international reputation ; his work has featured most particularly on magazine , book and record covers . He also specializes in special effects studio work and wildlife photo- graphy . His photographs have appeared in Time- Life Books , GEO , Vogue , The Smithsonian Magazine , Nature , and scores of other publications . He spends six months of every year on foreign assignments , and is the author of several books on photographic techniques , aesthetics , and history .
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