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تأطير بالشكل والخط .. بناء الصورة .. المرشد خطوة بخطوة للتصوير الفوتوغرافي
Framing with shape and line
Both shape and line can be used to direct the viewer's eye across the picture to the main subject . Weak pictures often lack a center , or have the dominant lines or shapes leading away from the main subject .
- Shapes can direct the eye simply by fram- photographing ing the main subject through a doorway or window creates a frame within the picture frame . Objects en- closed by the frame then become separated and emphasized . Ideally the frame should relate in some way to its contents - a churchyard shown through the church doorway is an example ; but you can use almost anything to frame your subject trees , man - made structures , even people .
The frame of your picture itself is a shape which will appear to repeat rectangular shapes placed in it . Circular shapes will stand out in contrast to this geometric frame .
Framing and lead - in
The viewpoint in the picture . above , uses the rock shapes to pro- vide a relevant frame and lead - in to the small figure of the climber in the background . The wide range of tones in the weathered rocks conveys form and texture .
The two readers in the picture . left , are isolated from unwanted - detail by the view down the spiral staircase which frames and leads- in to them . Two exposure readings were taken for the stairs and the table - and these were averaged .
For really accurate framing , a camera free of parallax error ( see p . 27 ) is essential .
Assignment : using subject qualities
Choose an interesting landscape and take the following pictures :
A. Recording a full range of tones in the subject . Then take three more pictures : one using gray and white tones only for a high key effect ; one using gray and black tones only for a low key effect ; and one ( waiting for stronger lighting if necessary ) which uses dark and light tones only , with high contrast .
B. Using the lighting to bring out a pattern . Make this the full frame - subject of the photograph .
C. Of a textured surface close - up using the lighting quality and direction to enhance the surface quality .
D. Of subjects within the landscape , per- haps on a near horizon , that are strongly backlit . Take two pictures : one which em- phasizes the shape of a single subject , the other which masses two or more shapes into one , perhaps reducing them to a single silhouette .
E. Using lines formed by roads , tracks , field boundaries or even the curve of a hill to draw the eye toward a point of interest .
Framing with shape and line
Both shape and line can be used to direct the viewer's eye across the picture to the main subject . Weak pictures often lack a center , or have the dominant lines or shapes leading away from the main subject .
- Shapes can direct the eye simply by fram- photographing ing the main subject through a doorway or window creates a frame within the picture frame . Objects en- closed by the frame then become separated and emphasized . Ideally the frame should relate in some way to its contents - a churchyard shown through the church doorway is an example ; but you can use almost anything to frame your subject trees , man - made structures , even people .
The frame of your picture itself is a shape which will appear to repeat rectangular shapes placed in it . Circular shapes will stand out in contrast to this geometric frame .
Framing and lead - in
The viewpoint in the picture . above , uses the rock shapes to pro- vide a relevant frame and lead - in to the small figure of the climber in the background . The wide range of tones in the weathered rocks conveys form and texture .
The two readers in the picture . left , are isolated from unwanted - detail by the view down the spiral staircase which frames and leads- in to them . Two exposure readings were taken for the stairs and the table - and these were averaged .
For really accurate framing , a camera free of parallax error ( see p . 27 ) is essential .
Assignment : using subject qualities
Choose an interesting landscape and take the following pictures :
A. Recording a full range of tones in the subject . Then take three more pictures : one using gray and white tones only for a high key effect ; one using gray and black tones only for a low key effect ; and one ( waiting for stronger lighting if necessary ) which uses dark and light tones only , with high contrast .
B. Using the lighting to bring out a pattern . Make this the full frame - subject of the photograph .
C. Of a textured surface close - up using the lighting quality and direction to enhance the surface quality .
D. Of subjects within the landscape , per- haps on a near horizon , that are strongly backlit . Take two pictures : one which em- phasizes the shape of a single subject , the other which masses two or more shapes into one , perhaps reducing them to a single silhouette .
E. Using lines formed by roads , tracks , field boundaries or even the curve of a hill to draw the eye toward a point of interest .
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