تويت
اجعل الموضوع يسترخي ..
استخدام العدسة المناسبة ..
صنع صور شخصية ساحرة ..
التصوير الفوتوغرافي الحديث
MAKE SUBJECT RELAX
The experienced photographer knows that the inexperienced person is going through this torture and will either snap off a few pictures very quickly or will shoot the first few pic tures with no film in the camera . Then again , soft music from a hi - fi system will help . Talking about the subject tends to ease the situation , too .
You can talk about the good fea tures of the subject , convince them they will photograph well . Tell them they have good eyes , a fine nose , well formed mouth . Or - it might be the hair , hands or the legs . As you dis cuss the particular feature , photo graph it with your camera , concentrate interest on that feature .
As you do , the subject will feel the same confidence that you have to be able to bring out that feature . This will help you to get the best possible pictures of the eyes , mouth , hands , legs , etc. When this feeling takes place in the subject , the photographer also feels the excitement and the pictures start happening .
In order to work fast and record the quick moods of a person , you must have your technique down pat so you don't have to lose a lot of time worry ing about lighting , exposure and cam era . As far as cameras go , you can work faster with a 35mm than most anything else because there are 36 frames in each loading and the film can be advanced rapidly with one stroke .
UMBRELLA strobe was key light for portrait at right which was shot with window in background , behind model .
The camera size you use will de pend upon the subjects you photo graph . If your model's are young and have a perfect complexion , 35mm will work . If your subjects are older and you have to sell them prints , you will probably find it difficult to do so without retouching - and , retouching 35mm is out of the question . There are ways of retouching on the print but if a number of prints are to be involved from the same negative , it will be best to use a larger camera for the sitting .
About the smallest practical size for retouching on the negative is 24x 24. The 4x5 is better . With 4x5 or 24x24 you may not be able to crank off as many pictures as with 35mm . You may not be able to get as many expressions but you will be able to flatter the person much more with a little retouching here and there .
USING THE PROPER LENS
In portraiture , using the proper focal length lens is important . Most all lenses , except the very short focal lengths , can be used - providing you work from the proper distance from the subject so as to avoid distorting the face . The normal focal length lens on your camera can be used for por traits providing the camera is not too close to the subject .
A " normal " lens ( 50mm on 35mm film ; 75 or 80mm on 24 " film ) , will work for half - length portraits but when you want a large head on your negative , moving in closer will fill the
frame but the nose will balloon for ward larger than normal while the ears recede into the background . In brief , the face will be all out of shape .
How do you get a large face image on the film without having to move in closer ? Simple - with a longer focal length lens . On 35mm a lens of 90 to 135mm will give you a good portrait . With the 120 formats , lenses of 150
-250mm will give you a large head image without distortions . On 4x5 " film the 10 - inch lens should be the choice although lenses up to 360mm will be fine .
DRAMATIC lighting effect achieved at right is diagrammed above . An umbrella strobe was front light with bare strobe bulb behind her head .
استخدام العدسة المناسبة ..
صنع صور شخصية ساحرة ..
التصوير الفوتوغرافي الحديث
MAKE SUBJECT RELAX
The experienced photographer knows that the inexperienced person is going through this torture and will either snap off a few pictures very quickly or will shoot the first few pic tures with no film in the camera . Then again , soft music from a hi - fi system will help . Talking about the subject tends to ease the situation , too .
You can talk about the good fea tures of the subject , convince them they will photograph well . Tell them they have good eyes , a fine nose , well formed mouth . Or - it might be the hair , hands or the legs . As you dis cuss the particular feature , photo graph it with your camera , concentrate interest on that feature .
As you do , the subject will feel the same confidence that you have to be able to bring out that feature . This will help you to get the best possible pictures of the eyes , mouth , hands , legs , etc. When this feeling takes place in the subject , the photographer also feels the excitement and the pictures start happening .
In order to work fast and record the quick moods of a person , you must have your technique down pat so you don't have to lose a lot of time worry ing about lighting , exposure and cam era . As far as cameras go , you can work faster with a 35mm than most anything else because there are 36 frames in each loading and the film can be advanced rapidly with one stroke .
UMBRELLA strobe was key light for portrait at right which was shot with window in background , behind model .
The camera size you use will de pend upon the subjects you photo graph . If your model's are young and have a perfect complexion , 35mm will work . If your subjects are older and you have to sell them prints , you will probably find it difficult to do so without retouching - and , retouching 35mm is out of the question . There are ways of retouching on the print but if a number of prints are to be involved from the same negative , it will be best to use a larger camera for the sitting .
About the smallest practical size for retouching on the negative is 24x 24. The 4x5 is better . With 4x5 or 24x24 you may not be able to crank off as many pictures as with 35mm . You may not be able to get as many expressions but you will be able to flatter the person much more with a little retouching here and there .
USING THE PROPER LENS
In portraiture , using the proper focal length lens is important . Most all lenses , except the very short focal lengths , can be used - providing you work from the proper distance from the subject so as to avoid distorting the face . The normal focal length lens on your camera can be used for por traits providing the camera is not too close to the subject .
A " normal " lens ( 50mm on 35mm film ; 75 or 80mm on 24 " film ) , will work for half - length portraits but when you want a large head on your negative , moving in closer will fill the
frame but the nose will balloon for ward larger than normal while the ears recede into the background . In brief , the face will be all out of shape .
How do you get a large face image on the film without having to move in closer ? Simple - with a longer focal length lens . On 35mm a lens of 90 to 135mm will give you a good portrait . With the 120 formats , lenses of 150
-250mm will give you a large head image without distortions . On 4x5 " film the 10 - inch lens should be the choice although lenses up to 360mm will be fine .
DRAMATIC lighting effect achieved at right is diagrammed above . An umbrella strobe was front light with bare strobe bulb behind her head .
تعليق