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صور براقة ورومانسية - ١ -
البورتريه المعاصر ..
كتاب التصوير الفوتوغرافي
Glamorous and romantic portraits
Glamor in photography is not a question of turning a pretty girl into a " pin - up " . You will often see serious glamor photographs used as fashion magazine covers . And magazines such as Vogue often feature glamorous and romantic portraits by leading photographers like Clive Arrowsmith , David Montgomery , and David Bailey . A successful glamor picture requires an extra factor both from the sitter and from the photographer . A glamorous subject should possess more than just beauty - she should have a quality of " allure " . The photographer must be able to recognize which particular feature of the model represents this " magic " factor and then bring it out in the portrait It is impossible to single out specific points which produce instantly glamorous results because these vary from person to person- it may be the way a girl looks or smiles , it may be her gestures or her hair , or it may be her pose or
Posing for glamor The most glamorous features of the girl in the shots above and left are her hair and eyes . Both poses are designed to bring the viewer's attention to the sitter's hair . And the direction of the eyes is important in both pictures . I used a diffused floodlight as a main light with a reflector to fill in . I lit the background with another flood and used a diffused spot for her hair . Lighting for glamor shots should be quite soft , but you can boost contrast in black and white by slightly underexposing the film . then giving it a longer development , as here . Pentax 6x7 , 105 mm . 1/60 sec at f16 , Tri - X pushed one stop .
glamor ▷ Romantic I decided to emphasize this subject's combination of delicacy and innocence by using a pose that suggests a sense of traditional romance . The classical design in the background and the subject's veiled hat accentuate the effect . Pentax 6x7 , 105 mm . 1/15 sec at f16 , FP4 .
البورتريه المعاصر ..
كتاب التصوير الفوتوغرافي
Glamorous and romantic portraits
Glamor in photography is not a question of turning a pretty girl into a " pin - up " . You will often see serious glamor photographs used as fashion magazine covers . And magazines such as Vogue often feature glamorous and romantic portraits by leading photographers like Clive Arrowsmith , David Montgomery , and David Bailey . A successful glamor picture requires an extra factor both from the sitter and from the photographer . A glamorous subject should possess more than just beauty - she should have a quality of " allure " . The photographer must be able to recognize which particular feature of the model represents this " magic " factor and then bring it out in the portrait It is impossible to single out specific points which produce instantly glamorous results because these vary from person to person- it may be the way a girl looks or smiles , it may be her gestures or her hair , or it may be her pose or
Posing for glamor The most glamorous features of the girl in the shots above and left are her hair and eyes . Both poses are designed to bring the viewer's attention to the sitter's hair . And the direction of the eyes is important in both pictures . I used a diffused floodlight as a main light with a reflector to fill in . I lit the background with another flood and used a diffused spot for her hair . Lighting for glamor shots should be quite soft , but you can boost contrast in black and white by slightly underexposing the film . then giving it a longer development , as here . Pentax 6x7 , 105 mm . 1/60 sec at f16 , Tri - X pushed one stop .
glamor ▷ Romantic I decided to emphasize this subject's combination of delicacy and innocence by using a pose that suggests a sense of traditional romance . The classical design in the background and the subject's veiled hat accentuate the effect . Pentax 6x7 , 105 mm . 1/15 sec at f16 , FP4 .
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