تويت
حفلات الزفاف والاحتفالات ..
معالجة مواضيع مختلفة ..
كتاب التصوير الفوتوغرافي
Weddings and ceremonies
Weddings and ceremonies are special occa sions not only for the participants but also for the photographer . This is the one time that you should put aside your own style or creative attitudes and use all your skills to take the traditional set of photographs . These portraits will be treasured by the subjects , so they should be shot exactly as they wish . Some photographers try to enliven wedding photo graphs by shooting from different angles , or using grainy films or some other special technique , but their efforts are rarely appreci ated . Weddings and ceremonies are steeped in tradition , and portraits that record them should reflect this .
The principal portrait at most ceremonies is the group shot . At a wedding , arrange the group with the bride and groom in the center Outdoors , diffused , overcast light is best . If the sun happens to shine use a flash fill - in to soften contrast . Many photographers also use flash on a dull day to add a touch of sparkle . Indoors , use strong , simple tungsten lighting . After shooting the formal portrait , take a few snap shots with a 35 mm camera for example , photograph the newly - married couple getting into the automobile or being showered with confetti . Not all churches allow photography during ceremonies , so you should always ask permission in advance . If possible , take up a high position in order to get a clear view . Whenever you shoot portraits on special occasions you should follow these rules for simple , traditional results .
Family group V This Sabbath scene was a special occasion - a family gathering on the day before a barmitzvah . For occasions of this kind use a simple but strong illumination in order to record expressions . Here , I used a strong tungsten lamp placed slightly to the left of the camera . The wide - angle lens allowed me to include as much of the festive table as possible in a small dining room . Nikkormat FT2 , 24 mm , 1/30 sec at f11 , Agfachrome 50L .
Formal individual portrait The formal shot of the bride should be as glamorous and romantic as you can make it . Use high key lighting , especially if the bride is dressed in white . Avoid direct lights and harsh shadows . I used umbrella flash for this portrait . Pentax 6 × 7 , 55 mm , 1/30 sec at f11 , Ektachrome 200 .
Shooting in the church A If you have permission to photograph in the church try to use a high position . Flash is inappropriate - use fast film and give a long exposure if necessary . Nikon FE , 80-200 mm zoom , 1/30 sec at f4 , Ektachrome 400 .
Unexpected moments A After the formal portraits are taken the participants will begin to relax , and it is . always worth having your camera at the ready to catch moments like this . Nikon FE , 50 mm , 1/125 sec at f11 , Ektachrome 400 .
معالجة مواضيع مختلفة ..
كتاب التصوير الفوتوغرافي
Weddings and ceremonies
Weddings and ceremonies are special occa sions not only for the participants but also for the photographer . This is the one time that you should put aside your own style or creative attitudes and use all your skills to take the traditional set of photographs . These portraits will be treasured by the subjects , so they should be shot exactly as they wish . Some photographers try to enliven wedding photo graphs by shooting from different angles , or using grainy films or some other special technique , but their efforts are rarely appreci ated . Weddings and ceremonies are steeped in tradition , and portraits that record them should reflect this .
The principal portrait at most ceremonies is the group shot . At a wedding , arrange the group with the bride and groom in the center Outdoors , diffused , overcast light is best . If the sun happens to shine use a flash fill - in to soften contrast . Many photographers also use flash on a dull day to add a touch of sparkle . Indoors , use strong , simple tungsten lighting . After shooting the formal portrait , take a few snap shots with a 35 mm camera for example , photograph the newly - married couple getting into the automobile or being showered with confetti . Not all churches allow photography during ceremonies , so you should always ask permission in advance . If possible , take up a high position in order to get a clear view . Whenever you shoot portraits on special occasions you should follow these rules for simple , traditional results .
Family group V This Sabbath scene was a special occasion - a family gathering on the day before a barmitzvah . For occasions of this kind use a simple but strong illumination in order to record expressions . Here , I used a strong tungsten lamp placed slightly to the left of the camera . The wide - angle lens allowed me to include as much of the festive table as possible in a small dining room . Nikkormat FT2 , 24 mm , 1/30 sec at f11 , Agfachrome 50L .
Formal individual portrait The formal shot of the bride should be as glamorous and romantic as you can make it . Use high key lighting , especially if the bride is dressed in white . Avoid direct lights and harsh shadows . I used umbrella flash for this portrait . Pentax 6 × 7 , 55 mm , 1/30 sec at f11 , Ektachrome 200 .
Shooting in the church A If you have permission to photograph in the church try to use a high position . Flash is inappropriate - use fast film and give a long exposure if necessary . Nikon FE , 80-200 mm zoom , 1/30 sec at f4 , Ektachrome 400 .
Unexpected moments A After the formal portraits are taken the participants will begin to relax , and it is . always worth having your camera at the ready to catch moments like this . Nikon FE , 50 mm , 1/125 sec at f11 , Ektachrome 400 .
تعليق