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كتاب التصوير الفوتوغرافي
Groups of two
Taking a portrait of two people together can be twice as difficult as photographing only one . You should always try to establish or comment on the relationship between the two subjects . And the expressions of both sitters must be just right . If your pair are posing at some distance from each other , your eyes must constantly switch from one to the other . This means that you must keep up a high degree of concentra tion throughout the entire session . If you are taking the portrait indoors you will also have lighting problems – both sitters must be lit evenly and adequately . You can either arrange overall lighting , using a large flood or an umbrella flash to cover the whole area with diffused light , or you can light each sitter with a separate source , balancing both lamps ( p . 32 ) .
While it is difficult to watch both sitters and light them well , it is great fun to compose a picture with two people in the frame . There is greater scope for making an original arrange ment and for creating dynamic balance ( see pp . 22-4 ) . It is best to keep the two heads at different levels - one higher than the other - because two heads in a row may look dull .
Composing a dual portrait When you photograph two subjects together , composition is very important . You are not only making a portrait of two people . , you are attempting to create an interesting or beautiful image . Pose each of your subjects in a slightly different position - here , one sits and the other stands . Then try to " weld " them together visually move around them with your camera . looking at them from different angles . If necessary , make some adjustments to their pose . Finally , you will arrive at the most interesting solution . Here , the two girls form a triangle . Pentax 6x7 , 75 mm . 1/60 sec at f1 1 , Agfachrome 50S .
Photographing a couple I wanted to photograph the primitive painter Helen Bradley and her husband in their own environment . The cluttered setting made it difficult to select a viewpoint in which both heads were unhampered by background details . To create an interesting composition I chose an angle which makes one head higher and larger than the other . Although the man is larger in the frame , the viewpoint leads the eye toward Helen Bradley , the principal subject . Pentax 6x7 , 55 mm , 1/30 sec at f16 , Ektachrome 160 .
Shooting a double close - up This " postage - stamp " pose is a simple but effective way to photograph two people . The composition is based on the principle of continuity the eye follows the line of the first profile , comes across the line of the shoulder to the second subject , then moves around the head back to the first face , see diagram below . The lighting is easy to arrange you light the two subjects as if they are just one person . Place a diffused floodlight just in front of the face . - Pentax 6 × 7 , 105 mm , 1/15 sec at f16 , Ektachrome 160 .
معالجة مواضيع مختلفة ..
كتاب التصوير الفوتوغرافي
Groups of two
Taking a portrait of two people together can be twice as difficult as photographing only one . You should always try to establish or comment on the relationship between the two subjects . And the expressions of both sitters must be just right . If your pair are posing at some distance from each other , your eyes must constantly switch from one to the other . This means that you must keep up a high degree of concentra tion throughout the entire session . If you are taking the portrait indoors you will also have lighting problems – both sitters must be lit evenly and adequately . You can either arrange overall lighting , using a large flood or an umbrella flash to cover the whole area with diffused light , or you can light each sitter with a separate source , balancing both lamps ( p . 32 ) .
While it is difficult to watch both sitters and light them well , it is great fun to compose a picture with two people in the frame . There is greater scope for making an original arrange ment and for creating dynamic balance ( see pp . 22-4 ) . It is best to keep the two heads at different levels - one higher than the other - because two heads in a row may look dull .
Composing a dual portrait When you photograph two subjects together , composition is very important . You are not only making a portrait of two people . , you are attempting to create an interesting or beautiful image . Pose each of your subjects in a slightly different position - here , one sits and the other stands . Then try to " weld " them together visually move around them with your camera . looking at them from different angles . If necessary , make some adjustments to their pose . Finally , you will arrive at the most interesting solution . Here , the two girls form a triangle . Pentax 6x7 , 75 mm . 1/60 sec at f1 1 , Agfachrome 50S .
Photographing a couple I wanted to photograph the primitive painter Helen Bradley and her husband in their own environment . The cluttered setting made it difficult to select a viewpoint in which both heads were unhampered by background details . To create an interesting composition I chose an angle which makes one head higher and larger than the other . Although the man is larger in the frame , the viewpoint leads the eye toward Helen Bradley , the principal subject . Pentax 6x7 , 55 mm , 1/30 sec at f16 , Ektachrome 160 .
Shooting a double close - up This " postage - stamp " pose is a simple but effective way to photograph two people . The composition is based on the principle of continuity the eye follows the line of the first profile , comes across the line of the shoulder to the second subject , then moves around the head back to the first face , see diagram below . The lighting is easy to arrange you light the two subjects as if they are just one person . Place a diffused floodlight just in front of the face . - Pentax 6 × 7 , 105 mm , 1/15 sec at f16 , Ektachrome 160 .
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