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المبادئ الأساسية للبورتريه ..
كتاب التصوير الفوتوغرافي
Framing your composition
Photography is a dynamic medium - it relies on a sense of life , movement , and immediacy for its impact . Traditional rules can give a quality of suspended action looking at a photo graph , the viewer should feel that the subject has not stopped and posed deliberately , but is about to move off to continue his or her normal activities .
Make use of the picture frame to create a dynamic composition which avoids the static look of traditional portraits . Try placing the head or figure of your sitter off - center , instead of " becalming " it in the middle of the frame . But when you place the main shape near the e and include nothing else in the frame , you may find that the picture will seem to topple over . To restore the disturbed sense of balance add a secondary center of interest , enabling the eye to move freely from the sitter to the secondary attraction and back again . This motion within the image creates a sense of movement , which you can enhance further by leading the eye along diagonal lines .
With 35 mm and 6 × 7 formats always look at the subject with the camera held vertically as well as horizontally , before you decide on your final framing . An upright or " portrait " format is not necessarily the best choice - if you want to include the sitters environment you may find that the horizontal or " landscape " format is more suitable .
The unexpected view A number of photographers were taking pictures of Dame Barbara Hepworth at her exhibition , all shooting from the front of her sculpture . I decided to shoot from behind , through the circular opening in the sculpture , showing only her profile and hand . Mamiyaflex C3 , 65 mm , 1/60 sec at f8 , Tri - X .
Exploiting picture edges This strongly off - center composition , with the artist almost on the edge of the frame , is balanced by the two circles of the canvas , which echo his glasses . The use of picture edges is very important in creating impact - any shape tends to become stronger and more prominent the nearer you place it to the side of the picture . Pentax 6 × 7 , 55 mm , 1/60 sec at f8 , Tri - X .
المبادئ الأساسية للبورتريه ..
كتاب التصوير الفوتوغرافي
Framing your composition
Photography is a dynamic medium - it relies on a sense of life , movement , and immediacy for its impact . Traditional rules can give a quality of suspended action looking at a photo graph , the viewer should feel that the subject has not stopped and posed deliberately , but is about to move off to continue his or her normal activities .
Make use of the picture frame to create a dynamic composition which avoids the static look of traditional portraits . Try placing the head or figure of your sitter off - center , instead of " becalming " it in the middle of the frame . But when you place the main shape near the e and include nothing else in the frame , you may find that the picture will seem to topple over . To restore the disturbed sense of balance add a secondary center of interest , enabling the eye to move freely from the sitter to the secondary attraction and back again . This motion within the image creates a sense of movement , which you can enhance further by leading the eye along diagonal lines .
With 35 mm and 6 × 7 formats always look at the subject with the camera held vertically as well as horizontally , before you decide on your final framing . An upright or " portrait " format is not necessarily the best choice - if you want to include the sitters environment you may find that the horizontal or " landscape " format is more suitable .
The unexpected view A number of photographers were taking pictures of Dame Barbara Hepworth at her exhibition , all shooting from the front of her sculpture . I decided to shoot from behind , through the circular opening in the sculpture , showing only her profile and hand . Mamiyaflex C3 , 65 mm , 1/60 sec at f8 , Tri - X .
Exploiting picture edges This strongly off - center composition , with the artist almost on the edge of the frame , is balanced by the two circles of the canvas , which echo his glasses . The use of picture edges is very important in creating impact - any shape tends to become stronger and more prominent the nearer you place it to the side of the picture . Pentax 6 × 7 , 55 mm , 1/60 sec at f8 , Tri - X .
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