تويت
تكوين الصورة - ٢ -
المبادئ الأساسية للبورتريه ..
كتاب التصوير الفوتوغرافي
shapes , which the eye accepts as one continu ous unit , in your pictures . Do not alter a pleasing view of the subject to fit in with these rules , however . Because photography is a dynamic medium , you should never become too obsessed with rules , or you will forget the most important element in portraiture - cap turing the subject in a lively , expressive manner .
You can also use composition to enhance the vitality of the image . Avoid anchoring the viewer's eye in the center of the picture - an entirely central position for the sitter's head is often the weakest and least interesting . Try placing the head slightly off - center , balancing it with another element such as the sitter's hands , a picture on the wall , or even the line of the shoulders . If you want to ( or have to ) place your subject centrally in your composition , make sure that you use other elements - such as color , foreground interest , unusual lighting , or frames within frames to enliven your image . Whatever type of composition you choose , you will always find that an organised , simplified image is visually strongest .
Central composition V This straightforward shot , with the sitter almost centrally placed , is enlivened by additional elements . Color contrast creates a lively effect , the lines of the painting " frame " the image , and the paint and brushes provide foreground interest . Mamiyaflex C3 , 65 mm , 1/30 sec at f11 , Agfachrome 50L .
Off - center composition ▷ This strong , unusual composition has a group of three on one side of the picture , balanced by the seascape and single figure seen through the window . The eye moves from face to face , then to the beach and back again , see diagram below . Although the left side contains weaker shapes , it holds its own because the subject matter attracts the eye . Pentax 6x7 , 55 mm , 1/30 sec at f16 , Agfachrome 50S .
المبادئ الأساسية للبورتريه ..
كتاب التصوير الفوتوغرافي
shapes , which the eye accepts as one continu ous unit , in your pictures . Do not alter a pleasing view of the subject to fit in with these rules , however . Because photography is a dynamic medium , you should never become too obsessed with rules , or you will forget the most important element in portraiture - cap turing the subject in a lively , expressive manner .
You can also use composition to enhance the vitality of the image . Avoid anchoring the viewer's eye in the center of the picture - an entirely central position for the sitter's head is often the weakest and least interesting . Try placing the head slightly off - center , balancing it with another element such as the sitter's hands , a picture on the wall , or even the line of the shoulders . If you want to ( or have to ) place your subject centrally in your composition , make sure that you use other elements - such as color , foreground interest , unusual lighting , or frames within frames to enliven your image . Whatever type of composition you choose , you will always find that an organised , simplified image is visually strongest .
Central composition V This straightforward shot , with the sitter almost centrally placed , is enlivened by additional elements . Color contrast creates a lively effect , the lines of the painting " frame " the image , and the paint and brushes provide foreground interest . Mamiyaflex C3 , 65 mm , 1/30 sec at f11 , Agfachrome 50L .
Off - center composition ▷ This strong , unusual composition has a group of three on one side of the picture , balanced by the seascape and single figure seen through the window . The eye moves from face to face , then to the beach and back again , see diagram below . Although the left side contains weaker shapes , it holds its own because the subject matter attracts the eye . Pentax 6x7 , 55 mm , 1/30 sec at f16 , Agfachrome 50S .
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