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أنواع الكاميرات القياسية ..
كاميرا الاستوديو ..
مقارنة بين أنواع الكاميرات ..
THE STUDIO CAMERA
A studio camera is in many ways quite similar to a view camera , but it is of a heavier and more solid construction because it is never intended to be carried around . The studio camera is , therefore , more rigid and more convenient for studio work , provided it is mounted on a suitable stand that can be moved about the studio readily .
Studio cameras are of two types and uses - for portrait work and for commercial work . The portrait studio camera is shown in Figure 25 , the commercial camera in Figure 26. The portrait camera generally has a rigid front , but the back will swing to a limited degree , both vertically and horizontally . The stand is also rather short and the degree to which its table can be tilted is limited .
Figure 26 Large heavy - duty studio view camera .
The commercial studio camera , on the other hand , has all possible front and back adjustments , and the stand is tall enough so the camera can be raised to the ceiling . for extreme - angle shots .
While studio cameras are very useful instruments , many commercial photographers prefer to use their regular view cameras . A good view camera will do practically anything a studio camera will do and it is portable besides . The studio camera , however , is built for continuous heavy use and consequently may outlast many view cameras . Therefore , it may be cheaper in the long run for a studio doing enough work to warrant purchasing a studio camera .
COMPARISON OF CAMERA TYPES
The cameras we have just described are all general - purpose instruments and have a wide range of usefulness . True , some are better for certain types of work than others , but they are universal enough so that their functions overlap to a considerable extent . Any well - equipped photographer , commercial or advanced amateur , will have several cameras , such camera , a good hand camera , and a 35mm , and he will use the one that happens to be the most convenient or the one he likes best . One man may go out on an assignment with an 8 x 10 in .. view ; another , for the same assignment , may take a Speed Graphic ; a third , a
2 1/4 x 2 1/4 in . Rolleiflex - yet all three may come back with equally satisfactory pictures . The pictures , of course , will not be identical , and an experienced photographer I can tell which was taken with the view camera and which with the smaller reflex .
The picture taken with the 8 x 10 in . camera will almost certainly be sharper and will have better print quality , but it will be more posed and static . Since the lens cannot be stopped down too far , if there is any action , either the near foreground or deep background will be blurred and out of focus because the longer focal - length lens will not have sufficient depth of field . On the other hand , the picture taken with the reflex , while not so sharp and brilliant throughout because it will have to be enlarged , will not be the posed type . It will show more real life and action - provided , of course , the photographer knows his business so that can take that kind of picture - and bot foreground and background will be equally sharp . The important point to remember is that each of these three cameras , the 8 x 10 in . view , the 4 x 5 in . Speed Graphic , or the 24 x 24 in . reflex , even though they differ very widely in almost every respect , can turn out excellent commercial work in the hands of an operator who knows his camera .
أنواع الكاميرات القياسية ..
كاميرا الاستوديو ..
مقارنة بين أنواع الكاميرات ..
THE STUDIO CAMERA
A studio camera is in many ways quite similar to a view camera , but it is of a heavier and more solid construction because it is never intended to be carried around . The studio camera is , therefore , more rigid and more convenient for studio work , provided it is mounted on a suitable stand that can be moved about the studio readily .
Studio cameras are of two types and uses - for portrait work and for commercial work . The portrait studio camera is shown in Figure 25 , the commercial camera in Figure 26. The portrait camera generally has a rigid front , but the back will swing to a limited degree , both vertically and horizontally . The stand is also rather short and the degree to which its table can be tilted is limited .
Figure 26 Large heavy - duty studio view camera .
The commercial studio camera , on the other hand , has all possible front and back adjustments , and the stand is tall enough so the camera can be raised to the ceiling . for extreme - angle shots .
While studio cameras are very useful instruments , many commercial photographers prefer to use their regular view cameras . A good view camera will do practically anything a studio camera will do and it is portable besides . The studio camera , however , is built for continuous heavy use and consequently may outlast many view cameras . Therefore , it may be cheaper in the long run for a studio doing enough work to warrant purchasing a studio camera .
COMPARISON OF CAMERA TYPES
The cameras we have just described are all general - purpose instruments and have a wide range of usefulness . True , some are better for certain types of work than others , but they are universal enough so that their functions overlap to a considerable extent . Any well - equipped photographer , commercial or advanced amateur , will have several cameras , such camera , a good hand camera , and a 35mm , and he will use the one that happens to be the most convenient or the one he likes best . One man may go out on an assignment with an 8 x 10 in .. view ; another , for the same assignment , may take a Speed Graphic ; a third , a
2 1/4 x 2 1/4 in . Rolleiflex - yet all three may come back with equally satisfactory pictures . The pictures , of course , will not be identical , and an experienced photographer I can tell which was taken with the view camera and which with the smaller reflex .
The picture taken with the 8 x 10 in . camera will almost certainly be sharper and will have better print quality , but it will be more posed and static . Since the lens cannot be stopped down too far , if there is any action , either the near foreground or deep background will be blurred and out of focus because the longer focal - length lens will not have sufficient depth of field . On the other hand , the picture taken with the reflex , while not so sharp and brilliant throughout because it will have to be enlarged , will not be the posed type . It will show more real life and action - provided , of course , the photographer knows his business so that can take that kind of picture - and bot foreground and background will be equally sharp . The important point to remember is that each of these three cameras , the 8 x 10 in . view , the 4 x 5 in . Speed Graphic , or the 24 x 24 in . reflex , even though they differ very widely in almost every respect , can turn out excellent commercial work in the hands of an operator who knows his camera .
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