تويت
التصوير الفوتوغرافي الحديث
التصوير الفوتوغرافي الأساسي للصور المتحركة
انواع اللقطات
TYPES OF SHOTS
Motion pictures consist of hundreds of indi vidual shots which make up the scenes . The length of each scene depends upon the action being filmed and the tempo of the plot . Shots must be taken from various angles and distances to provide the visual variety needed to keep the audience interested . The most common shots used are :
Long Shot . Includes much area around the subject and the camera is usually a distance away .
Medium Shot . A shot midway between a long shot and a close - up .
Close - up . Includes only the subject . If the subject is a person , only head and shoulders are included .
Insert . An extreme close - up usually of a hand or inanimate object .
1. Long shot is also called the establishing shot or master scene .
2. Medium long shot .
3. Medium shot
4. Close - up
5. Insert or cut away
6. Extreme close - up
7.Point - of - view action shows from subject's viewpoint .
8. Close - up
9. Medium shot
10. Close - up
11. Medium shot
12. Close - up
13. Medium shot
14. Close - up
15. Medium shot
16. Long shot or re - establish ing shot
Other scenes which may be encountered call for a medium long shot , which would be halfway between a long and medium shot , and a medium close - up which , as the name implies , would be midway between a medium shot and a close - up . An extreme close - up of a person would be only the face area of the person's head .
These terms are relative to the subject being filmed . A close - up of a building would be a long close shot of a person entering or coming out of the same building . .
In this series of shots , the subject is the mailman and the mail he is delivering , and the types of shots are relative to the mailman and the mail . Other special types of shots are illustrated on pages 18 and 19 .
In joining scenes 2 and 3 from the preceding sequence , a close inspection shows that the action does not match . exactly . A bridging shot , as shown below , can be placed between scenes 2 and 3 to smooth the transition from MLS to MS . A shot of the mail cart wheels turning could also be used .
Head - on shot
The head - on shot can be used in place of a fade - out . The subject should continue walking toward the camera until his body actually touches the lens shade . The gradual approach will gradually lessen the light and thus effect a fade - out .
The tail - away shot can replace a fade - in . The subject should be in contact with the camera lens , with camera running the subject should walk away .
These two shots can also act as transition shots to get the subject from one area to another area .
Medium shot B will cut smoothly with Medium long shot A. A close inspection of Medium shot C will show the subject's posi tion is different from his position in the MLS , and thus would not cut smoothly .
Many times the action of the subject may be hidden from the audience in a medium shot . The POV shot remedies this by showing the action from the subject's viewpoint or his point of view . The scenes at the left are from the preceding sequence and are the mailman's POV of the house address and of the letter .
An alternative to the POV would be an over - the shoulder shot , as shown above .
التصوير الفوتوغرافي الأساسي للصور المتحركة
انواع اللقطات
TYPES OF SHOTS
Motion pictures consist of hundreds of indi vidual shots which make up the scenes . The length of each scene depends upon the action being filmed and the tempo of the plot . Shots must be taken from various angles and distances to provide the visual variety needed to keep the audience interested . The most common shots used are :
Long Shot . Includes much area around the subject and the camera is usually a distance away .
Medium Shot . A shot midway between a long shot and a close - up .
Close - up . Includes only the subject . If the subject is a person , only head and shoulders are included .
Insert . An extreme close - up usually of a hand or inanimate object .
1. Long shot is also called the establishing shot or master scene .
2. Medium long shot .
3. Medium shot
4. Close - up
5. Insert or cut away
6. Extreme close - up
7.Point - of - view action shows from subject's viewpoint .
8. Close - up
9. Medium shot
10. Close - up
11. Medium shot
12. Close - up
13. Medium shot
14. Close - up
15. Medium shot
16. Long shot or re - establish ing shot
Other scenes which may be encountered call for a medium long shot , which would be halfway between a long and medium shot , and a medium close - up which , as the name implies , would be midway between a medium shot and a close - up . An extreme close - up of a person would be only the face area of the person's head .
These terms are relative to the subject being filmed . A close - up of a building would be a long close shot of a person entering or coming out of the same building . .
In this series of shots , the subject is the mailman and the mail he is delivering , and the types of shots are relative to the mailman and the mail . Other special types of shots are illustrated on pages 18 and 19 .
In joining scenes 2 and 3 from the preceding sequence , a close inspection shows that the action does not match . exactly . A bridging shot , as shown below , can be placed between scenes 2 and 3 to smooth the transition from MLS to MS . A shot of the mail cart wheels turning could also be used .
Head - on shot
The head - on shot can be used in place of a fade - out . The subject should continue walking toward the camera until his body actually touches the lens shade . The gradual approach will gradually lessen the light and thus effect a fade - out .
The tail - away shot can replace a fade - in . The subject should be in contact with the camera lens , with camera running the subject should walk away .
These two shots can also act as transition shots to get the subject from one area to another area .
Medium shot B will cut smoothly with Medium long shot A. A close inspection of Medium shot C will show the subject's posi tion is different from his position in the MLS , and thus would not cut smoothly .
Many times the action of the subject may be hidden from the audience in a medium shot . The POV shot remedies this by showing the action from the subject's viewpoint or his point of view . The scenes at the left are from the preceding sequence and are the mailman's POV of the house address and of the letter .
An alternative to the POV would be an over - the shoulder shot , as shown above .
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