تويت
التصوير الفوتوغرافي الحديث
التصوير التجاري
جوانب التصوير التجاري
تصوير الأثاث
PHOTOGRAPHING FURNITURE
Figure 60 Quality furniture is often sold through catalogues , brochures or photographs such as this . In such cases , the technical quality of the photographs must be of the highest order . Every detail must be easily seen and the wood pattern or grain clearly evi dent . All accessories , such as the rug on the floor , or the piece of statuary on the cabinet , must be in perfect taste , and the lighting should be brilliant , but not harsh .
Courtesy of Tomlinson Furniture
The photographer of furniture must have style sense . He must show the overall product clearly - its shape , its style . Yet he must capture the pattern or weave of the fabric ... the grain of the wood or the flashing gleam of the metal . A good photographer of furniture is in essence a fashion photographer . He must capture the " feel " of the furniture for the customer . The more expensive the furniture , the more dramatic the picture may be .
Figure 61 ( above ) and Figure 62 ( on facing page ) Two examples of fine furniture , photo graphed in a tastefully appropriate setting . Note that the accessories carry through the " expensive feel " of the furniture . Both courtesy of Henredon Furniture Industries , Inc.
Figure 63 Here the photographer has departed from the conventional room interior to achieve an unusually striking photograph . Courtesy of Drexel Furniture Co.
Figure 64 An unusual compositional arrangement , exaggerated perspective , the surprisingly low camera angle , the brilliant lighting of the main subject , as well as the use of selective focus , combine to make an unusually interesting illustration . Courtesy of Drexel Furniture Co.
Figure 65 This modern version of the old fashioned grandfather clock calls . for appropriately modern accesso ries and bold lighting technique . Courtesy of Ridgeway , a Division of Gravely Furniture Co. , Inc.
Small items such as lamps , end tables , cabinets , clocks , and the like are more likely to be photographed by themselves against a simple background which might include a few mood provoking accessories or against a neutral background which may or may not be blocked out later .
Lines of furniture may be combined into room settings . These would be placed in a room setting with accessories placed artistically around to create mood . The skill of the photographer in helping to create these settings and to capture the " feel " of the furniture would have much to do with the success of these pictures .
Most photographers who have large studios set aside corners or other sections to serve as kitchen , living or dining room interiors for their furniture clients .
Figure 66 The commercial photo grapher who handles . furniture is often called upon to set up a part of his studio as a living room for the express purpose . of photo graphing furniture and furniture accessories . Figure 66 shows such a furniture set in use .
Courtesy of Calumet Manufacturing Co.
التصوير التجاري
جوانب التصوير التجاري
تصوير الأثاث
PHOTOGRAPHING FURNITURE
Figure 60 Quality furniture is often sold through catalogues , brochures or photographs such as this . In such cases , the technical quality of the photographs must be of the highest order . Every detail must be easily seen and the wood pattern or grain clearly evi dent . All accessories , such as the rug on the floor , or the piece of statuary on the cabinet , must be in perfect taste , and the lighting should be brilliant , but not harsh .
Courtesy of Tomlinson Furniture
The photographer of furniture must have style sense . He must show the overall product clearly - its shape , its style . Yet he must capture the pattern or weave of the fabric ... the grain of the wood or the flashing gleam of the metal . A good photographer of furniture is in essence a fashion photographer . He must capture the " feel " of the furniture for the customer . The more expensive the furniture , the more dramatic the picture may be .
Figure 61 ( above ) and Figure 62 ( on facing page ) Two examples of fine furniture , photo graphed in a tastefully appropriate setting . Note that the accessories carry through the " expensive feel " of the furniture . Both courtesy of Henredon Furniture Industries , Inc.
Figure 63 Here the photographer has departed from the conventional room interior to achieve an unusually striking photograph . Courtesy of Drexel Furniture Co.
Figure 64 An unusual compositional arrangement , exaggerated perspective , the surprisingly low camera angle , the brilliant lighting of the main subject , as well as the use of selective focus , combine to make an unusually interesting illustration . Courtesy of Drexel Furniture Co.
Figure 65 This modern version of the old fashioned grandfather clock calls . for appropriately modern accesso ries and bold lighting technique . Courtesy of Ridgeway , a Division of Gravely Furniture Co. , Inc.
Small items such as lamps , end tables , cabinets , clocks , and the like are more likely to be photographed by themselves against a simple background which might include a few mood provoking accessories or against a neutral background which may or may not be blocked out later .
Lines of furniture may be combined into room settings . These would be placed in a room setting with accessories placed artistically around to create mood . The skill of the photographer in helping to create these settings and to capture the " feel " of the furniture would have much to do with the success of these pictures .
Most photographers who have large studios set aside corners or other sections to serve as kitchen , living or dining room interiors for their furniture clients .
Figure 66 The commercial photo grapher who handles . furniture is often called upon to set up a part of his studio as a living room for the express purpose . of photo graphing furniture and furniture accessories . Figure 66 shows such a furniture set in use .
Courtesy of Calumet Manufacturing Co.
تعليق