فصل الصوت ، الموسيقى ٢-a .. كتاب فهم السينما

The director's dramatization of preparing the audience for an event that will make you suspicious, for example, makes a transient scene outwardly, often accompanied by "worrying" music, as a warning to the viewer to be careful. Sometimes these musical warnings are a fake warning. Other times, these warnings explode in a frightening crescendo. We also find that when asking the actors to embody a suppressed or neutral expression, the music can suggest their hidden inner emotions.

Contemporary music that is tonal and contrary to familiar musical intervals generally evokes anxiety in listeners. Such music often sounds as if it has no melodic line and can even resemble a series of noisy vowel sounds. Music by Giovanni Fusco in many of Antonioni's films Laventura And the red desert, eclipse, and others perform this exact function, that is, the function of provoking a sense of neuroticism, loss of direction, and a sense of persecution. Fusco's music performs such a function in the films of Alain Resnais (Hiroshima, my love) and (The War Is Over).

Music can express the rapid emotional transformation within a single continuous scene in John Huston's The Red Badge of Courage (for example, the hero Odie Murphy, in an unreasonable state of heroic impulse, snatches the flag from a comrade in contention and then charges forward into the blazing field of battle. To confirm the sudden wave Of patriotism, the scene is accompanied by high-spirited, though slightly sarcastic, Yankee battle songs.Suddenly, the attacking young boy stumbles beside a wounded Army flag bearer The Confederate is gay on the ground and its flag has been torn off. With this picture, the music suddenly turns into a sad, tragic song, and then gradually turns into a funny distorted melody of the rapid songs of Dixie. difficult pause.

Music can serve as an ironic contrast to a scene. In fact, in many cases the overwhelming atmosphere in a scene can be deflected and even reversed by using counter music. In Bonnie (and Clyde), the robbery scenes are often accompanied by blaring banjo music, giving these scenes a joyful sense of enjoyment. Even more ironically, in Kenneth's film Deny the Rising of the Scorpions, a biker from the Hells Angel group wears his own elaborate suit. The scene is almost solemn, but the excessive sensitivity of the young man is criticized by introducing the melody of the work “Blue Velvet on the Vocal Path.” The subtle connotations of his androgynous lifestyle are underlined by this line from the song: "She wore a blue sleigh.... Counter-music isn't always ironic. In Bean's "Alice's Restaurant," the playful verses in the title song, "You can have all you want at Alice's Restaurant," are ironically paired with a slow, distant follow-up shot of Alice flying alone through the camera.

Defining personality traits can be suggested by repetitive musical melodies. In Fellini's film (The Street), the pure and sad simplicity of the heroine (Julietta Masina) is embodied through a sad melody she plays on the trumpet. This melody is varied and complicated by the gentle composer Lenorotta, suggesting that even long after her death, her spiritual influence still prevails. Hermann's composition in Citizen Kane uses loosely repeated bars in a more sophisticated style. He used specific musical phrases to personify the main characters. These repetitive melodies drop, pick up again, and then weave into complex complexes. melody The repetition of the crawl called (the bud), for example, was presented at the beginning of the film with the death of (Ken). This melody is repeated whenever the reporter asks a number of Kane's former peers about the significance of the word "bud". In the closing scene, the musical phrase unfolds pompously to a commanding volume as the audience (rather than the characters) finally discover the secret
“The bud.
Determining the features of the character can be more specific when the poems of the songs are added to the music in Peter Bokdanovich's movie the last picture show, for example, used popular songs from the fifties with the appearance of certain characters (5-15). In George Lucas' movie American Corruption, the director uses melodies My love acquires a popular meaning in a similar way (5 -16). Two lovers have just had a fight. We see them dancing to the tune of smoke entering your eyes and we hear the words "It flew away with me" which is especially acute for the girl, since the boy has just told her that he intends to go out with others when he goes to college. The two lovers reconcile at the end of the film, when the boy decides not to leave. In the soundtrack, we hear the song “You are alone in its proper place” and its sweet songs confirm the “inevitability of love.”
Stanley Kubrick is one of the most daring innovators in the use of film music, and one of the most controversial in his film "Dr. Strange Love".