فصل الحركة ، آلة التصوير المتحركة ٣-a .. كتاب فهم السينما

The shock therapy she supposedly intended to make him "just like everyone else". We find no information in either sermon, at least not on a literal level. Rather, the audience finds and feels that it has finally (arrived) an understanding of each of the two characters through the juxtaposition of the dialogue with the semantics of the follow-up shot.

Stillness of the camera often means a sense of stability and order, unless we find a great deal of movement within the frame. A moving camera, because of its very unsteadiness, can create ideas of vitality, fluidity, and erratic Orson Welles, and a penchant for exploiting the moving camera to suggest the dynamic energy of a character.

In Othello, for example, the portable shot (for the follow-up) becomes a repetitive form of content personification. The self-confident Moroccan was filmed with follow-up shots, especially at the beginning of the film, in the fortress scene. Othello walks with Iaco with military agility, while the camera accompanies them at a speed no less than their vital speed. When Iaco informs Othello of his suspicions, the camera slows down to a stopping point. No sooner had Othello's mind been intoxicated than his portrayal of fixed pictorial locations. As his self-confident energy is not only depleted, but a spiritual paralysis creeps into himself in the closing shots of the film. He hardly moves even within the static frame. This distinctive form of paralysis is complete when Othello kills himself.

A number of cinema theorists have argued for its ability to transform space into time and time into space. The mere duration of a shot, especially the follow-up shot, can sometimes be its main purpose. In other words, we say that some directors use the portable shot as a means of consuming time. This is especially true in some of the films of Alain Resnais and Bernardo Bertolucci, in whose films the theme of time predominates (3 - (24) The acknowledged master of this type of portable shot is Max Ophuls in both Letter from an Unknown Woman and Madame - the heroine throws herself into a case Reckless love but glorious. The camera watches tirelessly as the two women explode with their irrevocable lovers. As Androsaris points out, Ophoulos uses his portable shots as a metaphor for the cruel ingratitude of time. His world is one of tragic fluidity and instability in which love must take the path The bitter at the end These long follow-up shots maintain continuity in time by preserving continuity in place There is no time to pause or reflect between shots in such films Ophuls' transformation of space into time can be transcended by the passing viewer as the portable shots are on Somewhat less functional, it follows the characters in their daily activities and patrols.However, a still camera can be just as functional not to mention its licenses Characters can move towards or away from the camera location.

In the 1950s, a new type of light, hand-held camera was introduced that enabled directors to enter and exit scenes with greater flexibility. These cameras, which were originally used by documentaries to allow them to shoot in almost all kinds of settings, were quickly adopted by many feature film directors as well. . Handheld shots are often jagged and jerky. The shaking of the camera cannot be ignored, as the screen magnifies these movements, especially if these shots were taken from close ranges (3-25). For this reason, directors often use a hand-held camera in point-of-view shots. In Mike Nichols' movie The Graduate, I used a hand-held camera.
By hand to express the hero's attempts to penetrate a room crowded with people. In the movie (Faces), John Cassavetes used handheld shots to imply a real-time documentary flavour.

Crane-mounted shots are, in essence, airborne shots. A crane is a large robotic arm, often over twenty feet in length, that can lift the cameraman and camera onto and off the scene. In fact, the crane can move in every direction, up and down, diagonally, inwards and outwards. The crane is similar to what telephone companies use to repair lines (3- 26 ) .