فصل الميزانسين ، الحجوم والأشكال المغلقة والمنفتحة ١-a .. كتاب فهم السينما

Volumes and closed and open shapes.

The idea of ​​closed form and open form are generally used by art critics and historians. These terms can be used in analyzing the film. And the same Like most theoretical constructs, it has great validity for relative rather than absolute meanings. There is no film that is completely open or closed in terms of form, but there are works that tend towards these two poles, and the term “closed” or “open” like other critical terms should not be used except when such ideas are relevant and help in our understanding of what is really in the film. If the ideas are not relevant A relationship that must be neglected and replaced with something that achieves assistance. Criticism must always remain at the service of art, not the other way around.

Closed and open forms are not just stylistic poles with their own technical emphases, but also distinct attitudes towards reality. It is the closed and open forms that can ultimately decide the film director's artistic "vision" and his "philosophical world". These two terms are loosely related to the ideas of realism and impressionism as they are defined in these chapters. Realist filmmakers generally tend to use extroverted forms, while more impressionists tend to use closed ones. Open forms prevail It has the accuracy of style and contraction on the one hand, while the closed forms are generally visible and have the feature of attracting attention for themselves.

In terms of visual design, the extroverted form emphasizes informal and unobtrusive configurations. Often such images appear to be devoid of structure, suggesting an arbitrary form of arrangement. The bodies and things in it seem more like they have been discovered or found than deliberately arranged (2-26). The closed shape emphasizes more formal designs. Although such images can have a certain modified realism, they rarely possess the "fleeting" spontaneity that characterizes extroverted forms. Bodies and objects are more regular in their places than the frame, and plastic weights are balanced. It worked with great scrutiny (2-27) .