إرشادات عامةلتصوير الألعاب الرياضية -٤- اللوحةالرياضية بين الوجهةالمناسبة وخداع العين

Episode four
General guidelines for shooting sports.
The scoreboard sports between proper destination and deceiving the eye

In this episode of Mathematical Guidelines, we stand at two points.. The first is the issue of finding the appropriate point of view, and the second is represented by deceiving the eye, and the need for imagination on the way to presenting photographic works with a lot of focus and accuracy to reach the mathematical painting.

- the right point of view -

You can add a fun effect to your sports photography by choosing the right point of view..the more innovative the better.
This means that you need to learn as much as you can about the sport of your choice because knowing the laws will help you predict when, where and how something interesting is likely to happen.

Look for the locations that other photographers choose to stand and photograph an event, then find a place that gives you a new angle. It should be noted here that the best sports photos are those without a crowded background, where all attention is focused on the subject. You can also work on blurring the background when Use of lenses. Telekoto » with a high focal length by adopting a wide aperture lens - the lowest possible number.

- Fool the eye -

The only element that limits eye deception and thus makes a big impact in your photos, is your ability to imagine.
If you are keen to come back with sports clips that have an influential expression, you should attend school sports matches or attend the prior preparations for sports competitions, as these preparations enable you to cooperate with your subject – that is,
Players - and sometimes guide him to the positions you want, here time is on your side and thus you can implement the ideas that are in your mind such as adopting multiple and long light compensations, or
Approaching your subject in a comfortable manner, without any objection, and thus you will inevitably get sports photographic plates, especially if you work to show your photos as if they are running in their natural locations and times.

An acceptable imagination
The appropriate place here is also well thought out. During school matches, one can get as close as possible to the player. Here, the photographer lay down under the jump beam, recording a snapshot expressing the strength of the jump and the height, relying on a 24 mm lens.

Brutal enemy
Blurring can sometimes create a much better atmosphere than that of a sharp shot, as it creates the impression of motion in a still image.
Here, the photographer deliberately encircled the subject, using a slow shutter speed. It is worth noting that the runner's arms and legs - which move more than his body - show the greatest amount of blurring.

Integrated perception
The appropriate destination adopted by this photographer gave good results in addition to the accuracy of focus and speed of capture. It is clear that the photographer has sufficient knowledge of the game of golf, which prompted him to wait for this moment and the subsequent recording of flying sand balls.

To emphasize the strength and stability of the subject, he also relied on the F / 4 lens aperture, which made the background out of focus - Maghisha, so the grains of sand came sharply with full prominence and clarity. mm.

- Take a good shot
This is one of those impossible images, and very simple to implement in fact.
The shattered pieces of one of the shooting dishes were glued to a large plate of glass placed in front of the camera. And when it appeared that the intended effect was correct, the photographer proceeded to inspect the gun to make sure that it was free of bullets, and then fixed the girl on the opposite side of the glass.

Night games
Multiple exposures are easy at night, even if your camera isn't equipped with a multiple exposure adjuster.
In order to achieve this image, the barrier was placed against a completely dark background, because if there were street lamps or cars, this shot would have been impossible.

In the next step, the camera was placed firmly on a solid tripod.
As for the appropriate aperture of the lens, it was prepared to fit the flash when photographing outside at night. The distance between the flash and the subject must be divided by the guide number of the flash, then the lens should be opened one stop wider than what is recommended by this outcome.

When the athlete was ready to jump, the camera shutter was opened to the (B) position. The flash was also placed without connection with the camera in a ready state and when the runner began to jump, the flash was fired by pressing the open flash button, on the back of the unit.
The runner ran around to make a second jump, this time firing the flash and the runner past the top of the barrier.
As for the third jump, he fires the flash and the runner descends to reach the ground
Only here, the camera shutter is closed.
If the background is dark enough, any number of pictures can be taken on a single frame in this way, giving the effect of a series of rapid flashes created during a single active action.

- the final moment
The photographer's ability to grasp gaming law is justified. If he wanted to get superior shots, here the photographer waited for this gymnast to exit from his final move, throwing himself in front of the photographer, and if the photographer's location was one meter to the left or right, the shot would have lost its strength.
The photo was taken with a 135mm lens.

Movement and expression
The right moment and the right destination resulted in a successful outcome. The rush of water moved by the strength and impulse of this contestant gave a wonderful effect.
Especially since the water covered the hands and part of the face, so the motive for this water is not clear, but its results are prominent, and this is evidence of the success of the appropriate destination and the moment of capture.
The photographer here used a 300mm lens.⏹